When I touch her, my fingers don’t question what she is. My body knows who she is. The strange thing about strangers is that they are unknown and known. There is a pattern to her, a shape I understand, a private geometry that numbers mine. She is a maze where I got lost years ago, and now find the way out. She is the missing map. She is the place that I am. She is a stranger. She is the strange that I am beginning to love.
by Jeanette Winterson (via fishtaco)

For Italian men the smell of a vagina is something earthy. The vagina for them is a prize, a beautiful flower to be admired and won, not as in the United States, a term of disdain, a cunt. In Rome a vagina is una fica, a term deriving from the fig, a great thing, a delightful gift, a ribboned fruit. Among young Romans, the expression fica is a way to convey something extraordinarily good, akin to “cool.” They even make it into a superlative—fichissimo, meaning that something is the “cuntest” and very good indeed. Una fica is not only a sexually attractive woman, it is anything worthy of possession or experience. Imagine an American guy saying: “Wow, that is so vagina!” You can’t.
by disappearance | frequencies  (via fabulousflow)

THAT IS THE CUNTEST THING 

(via ana-violetana)

bostonpoetryslam:

madame-psychosis:

Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.

Even then I have nothing against life. 
I know well the grass blades you mention,
the furniture you have placed under the sun.

But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.

Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.

In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.

I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.

Still-born, they don’t always die,
but dazzled, they can’t forget a drug so sweet
that even children would look on and smile.

To thrust all that life under your tongue!-
that, all by itself, becomes a passion.
Death’s a sad Bone; bruised, you’d say,

and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.

Balanced there, suicides sometimes meet,
raging at the fruit, a pumped-up moon,
leaving the bread they mistook for a kiss,

leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love, whatever it was, an infection.

Anne Sexton

(via ibegantoseevoices)